A child presses her face curiously against the car window of British artist PJ Harvey and her collaborator, award-winning Irish photojournalist and filmmaker Seamus Murphy. They are in Kabul, Afghanistan, one of three places they travel to. The others are Kosovo and the poor districts of Washington, DC. PJ Harvey seeks inspiration, gathers impressions, collects words, observes, listens and absorbs. Her thoughts are heard off-screen. Murphy records it all. They chronicle a stranger whose keen gaze is focused on the reality of everyday life in the places he visits and learns about. Every moment is a potential opportunity to write a new song, find a good title or rhythm. Inspiration turns into poetry, which gives rise to the songs on The Hope Six Demolition Project. Back in London, PJ Harvey records these songs with her band in a specially designed studio under Somerset House in London, which serves as a kind of peep show, allowing the audience to watch the creative process through a one-way mirror. The film is a free-form visual collage that explores PJ Harvey's creative potential and the way she works and gains inspiration.
A child presses her face curiously against the car window of British artist PJ Harvey and her collaborator, award-winning Irish photojournalist and filmmaker Seamus Murphy. They are in Kabul, Afghanistan, one of three places they travel to. The others are Kosovo and the poor districts of Washington, DC. PJ Harvey seeks inspiration, gathers impressions, collects words, observes, listens and absorbs. Her thoughts are heard off-screen. Murphy records it all. They chronicle a stranger whose keen gaze is focused on the reality of everyday life in the places he visits and learns about. Every moment is a potential opportunity to write a new song, find a good title or rhythm. Inspiration turns into poetry, which gives rise to the songs on The Hope Six Demolition Project. Back in London, PJ Harvey records these songs with her band in a specially designed studio under Somerset House in London, which serves as a kind of peep show, allowing the audience to watch the creative process through a one-way mirror. The film is a free-form visual collage that explores PJ Harvey's creative potential and the way she works and gains inspiration.
Spektrum to sala kinowa na drugim piętrze KOTa. Wzorowane na amerykańskich pałacach filmowych wnętrze zapewnia wygodne miejsca dla 100 osób. Spektrum to przestrzeń, która przypomina widzom, że prawdziwe ekranowe emocje można przeżywać tylko w kinie.
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On Becoming a Guinea Fowl
Thursday, April 3, 2025
4:15 PM
